{"id":6245,"date":"2023-05-01T19:13:32","date_gmt":"2023-05-01T18:13:32","guid":{"rendered":"https:\/\/dioceserabat.org\/fr\/?p=6245"},"modified":"2026-02-18T15:57:57","modified_gmt":"2026-02-18T15:57:57","slug":"restauration-doeuvres-dart-par-appel-a-souscription-dons-et-mecenat","status":"publish","type":"post","link":"https:\/\/dioceserabat.org\/accueil-2\/restauration-doeuvres-dart-par-appel-a-souscription-dons-et-mecenat\/","title":{"rendered":"Appel \u00e0 souscription, dons et m\u00e9c\u00e9nat pour la restauration d\u2019\u0153uvres d\u2019art"},"content":{"rendered":"\t\t
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Pour tout renseignement ou rendez-vous, contacter M. Philippe RANC, en charge du patrimoine dioc\u00e9sain\u00a0<\/p>

T\u00e9l : +212 6 28 31 85 35\u00a0<\/p>

Email : cdm@dioceserabat.org<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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LES \u0152UVRES<\/h1>\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Le ravissement de Saint Paul : XVII\u00e8me - XVIII\u00e8me si\u00e8cle<\/h2>\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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L\u2019\u0153uvre <\/strong><\/p>

Ex\u00e9cut\u00e9e \u00e0 la fin du XVII\u00e8me<\/sup> si\u00e8cle ou au tout d\u00e9but du XVIII\u00e8me<\/sup> si\u00e8cle, elle repr\u00e9sente le \u00ab\u00a0ravissement\u00a0\u00bb de Saint Paul. Un th\u00e8me souvent repris \u00e0 l\u2019\u00e9poque, allusion \u00e0 sa seconde \u00c9p\u00eetre aux Corinthiens\u00a0(Chapitre 12, 1-5) :<\/p>

\u00ab Faut-il se glorifier ? Cela n\u2019est pas utile ; j\u2019en viendrai n\u00e9anmoins \u00e0 des visions et \u00e0 des r\u00e9v\u00e9lations du Seigneur. Je connais un homme dans le Christ qui, il y a quatorze ans, fut ravi jusqu\u2019au troisi\u00e8me ciel (si ce fut dans son corps, je ne sais ; si ce fut hors de son corps, je ne sais : Dieu le sait). Et je sais que cet homme (si ce fut dans son corps ou sans son corps, je ne sais, Dieu le sait) fut enlev\u00e9 dans le paradis, et qu\u2019il a entendu des paroles ineffables qu\u2019il n\u2019est pas permis \u00e0 un homme de r\u00e9v\u00e9ler. C\u2019est pour cet homme-l\u00e0 que je me glorifierai ; mais pour ce qui est de ma personne, je ne me ferai gloire que de mes faiblesses. \u00bb<\/p>

Les attributs du Saint, l\u2019\u00e9p\u00e9e, instrument de son martyr et le livre de ses \u00c9p\u00eetres ne sont pas repris dans cette repr\u00e9sentation dont la plus c\u00e9l\u00e8bre version est celle de Nicolas Poussin peinte en 1650, visible au Mus\u00e9e du Louvre.<\/p>

Son \u00e9tat<\/span><\/p>

Le tableau a subi de profonds d\u00e9g\u00e2ts dus en partie \u00e0 l\u2019eau qui a dissout le stuc du cadre peint en trompe l\u2019\u0153il et provoqu\u00e9 certaines d\u00e9colorations. Plusieurs craquelures et manques de mati\u00e8re sont \u00e0 reprendre. Une d\u00e9chirure de la toile dans la partie basse du tableau n\u00e9cessitera peut-\u00eatre un rentoilage.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Emplacement actuel<\/span><\/p>

Salle de r\u00e9union dans l\u2019espace Charles de Foucauld \u00e0 l\u2019archev\u00each\u00e9 puis dans des locaux non loin de l\u00e0 o\u00f9 commencera sa restauration \u00e0 partir du 15 juillet prochain. Les visites sont \u00e0 programmer.<\/p>

Emplacement apr\u00e8s restauration<\/span><\/p>

A d\u00e9cider<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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La Piet\u00e0 en bois polychrome : XV\u00e8me-XVI\u00e8me si\u00e8cle<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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L\u2019\u0153uvre <\/span><\/strong><\/p>

La th\u00e9matique de la Piet\u00e0 ou Vierge de Piti\u00e9, est, dans l’art religieux, la repr\u00e9sentation de Marie tenant sur ses genoux son fils J\u00e9sus-Christ.<\/span><\/p>

Elle correspond \u00e0 la spiritualit\u00e9 en vogue au XV\u00e8me si\u00e8cle en Europe du Nord port\u00e9e par la D\u00e9votion Moderne (mouvement de r\u00e9forme personnelle et courant de\u00a0spiritualit\u00e9 chr\u00e9tienne\u00a0diffus\u00e9 par les\u00a0<\/span>Fr\u00e8res de la vie commune<\/span><\/a><\/span>\u00a0et les\u00a0<\/span>Chanoines r\u00e9guliers de Windesheim<\/span><\/a><\/span>\u00a0aux\u00a0<\/span>Pays-Bas<\/span><\/a><\/span>). La\u00a0<\/span>Piet\u00e0<\/span>\u00a0la plus c\u00e9l\u00e8bre est celle en\u00a0marbre\u00a0sculpt\u00e9e \u00e0 la fin du XV\u00e8me si\u00e8cle par\u00a0Michel-Ange\u00a0et pi\u00e8ce artistique ma\u00eetresse de la\u00a0basilique Saint-Pierre\u00a0du\u00a0Vatican.<\/span><\/p>

\u00a0<\/span><\/p>

Si nous ne connaissons pas les circonstances de la venue du \u00ab\u00a0Ravissement de Saint Paul\u00a0\u00bb au Maroc, nous savons que cette Piet\u00e0 est arriv\u00e9e dans la ville de Berkane (Province de l\u2019Oriental) via des ressortissants espagnols dans les ann\u00e9es 30. A la fermeture de l\u2019\u00e9glise Sainte Agn\u00e8s de Berkane, elle a \u00e9t\u00e9 d\u00e9pos\u00e9e dans l\u2019\u00e9glise Saint Louis d\u2019Anjou \u00e0 Oujda.<\/span><\/p>

Son \u00e9tat<\/b><\/span><\/p>

L\u2019\u0153uvre a subi de mauvaises restaurations avec des touches de peinture acrylique sans respect des usages de l\u2019\u00e9poque. La t\u00eate du Christ d\u00e9coll\u00e9e a \u00e9t\u00e9 mal\u00a0 refix\u00e9e et pr\u00e9sente un risque de s\u00e9paration du corps.\u00a0\u00a0<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Emplacement actuel<\/span><\/span><\/p>

Salle de r\u00e9union dans l\u2019espace Charles de Foucauld \u00e0 l\u2019archev\u00each\u00e9 puis dans des locaux non loin de l\u00e0 o\u00f9 commencera sa restauration \u00e0 partir du 15 juillet prochain. Les visites sont \u00e0 programmer.<\/span><\/p>

Emplacement apr\u00e8s restauration<\/span><\/span><\/p>

Biblioth\u00e8que dans l\u2019Espace Charles de Foucauld \u00e0 l\u2019archev\u00each\u00e9.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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La visitation : XVIII\u00e8me si\u00e8cle<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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L\u2019\u0153uvre <\/strong><\/p>

Ce tableau repr\u00e9sente la visitation de Marie \u00e0 sa cousine Elisabeth alors enceinte de Jean-Baptiste selon les versets 39 \u00e0 56 du chapitre premier de l\u2019Evangile selon Saint Luc\u00a0:<\/p>

\u00ab\u00a0En ces jours-l\u00e0, Marie partit et se rendit en h\u00e2te vers le haut pays, dans une ville de Juda. Elle entra chez Zacharie et salua Elizabeth. Or\u00a0; d\u00e8s qu\u2019Elisabeth eut entendu la salutation de Marie, l\u2019enfant tressaillit dans son sein et Elisabeth fut remplie du Saint Esprit. Alors elle poussa un grand cri et dit\u00a0: \u00ab\u00a0Tu es b\u00e9nie entre les femmes, et le fruit de ton sein est b\u00e9nie\u00a0! Et comment m\u2019est-il donn\u00e9 que la m\u00e8re de mon Seigneur vienne \u00e0 moi\u00a0? Car, vois-tu, d\u00e8s l\u2019instant o\u00f9 ta salutation a frapp\u00e9 mes oreilles, l\u2019enfant a tressailli d\u2019all\u00e9gresse en mon sein. Oui, bienheureuse celle qui a cru en l\u2019accomplissement de ce qui lui a \u00e9t\u00e9 dit de la part du Seigneur\u00a0!\u00a0\u00bb<\/p>

Les premiers mots d\u2019Elisabeth sont entr\u00e9s dans la pri\u00e8re du Je vous salue Marie\u00a0<\/em> et la r\u00e9ponse de Marie est le cantique du Magnificat.<\/em><\/p>

Les plus grands peintres ont repr\u00e9sent\u00e9 la Visitation\u00a0: Giotto en 1310, le Ma\u00eetre de Segorbe en 1435, Le P\u00e9rugin en 1473, Raphael en 1517, etc.<\/p>

Son \u00e9tat<\/span><\/p>

Ternissement g\u00e9n\u00e9ral des couleurs et pr\u00e9sence de boursouflures. Il faudra enlever le vernis jaunis par le temps et reprendre quelques manques de mati\u00e8re puis revernir et sans doute retendre la toile sur le ch\u00e2ssis.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Emplacement actuel<\/span><\/p>

Salle de r\u00e9union dans l\u2019espace Charles de Foucauld \u00e0 l\u2019archev\u00each\u00e9 puis dans des locaux non loin de l\u00e0 o\u00f9 commencera sa restauration \u00e0 partir du 15 juillet prochain. Les visites sont \u00e0 programmer.<\/p>

Emplacement apr\u00e8s restauration<\/span><\/p>

Chapelle de la Vierge dans l\u2019\u00e9glise des Saints Martyrs de Marrakech.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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LA RESTAURATRICE<\/h1>\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Muriel SCHWACH <\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Muriel SCHWACH fait ses classes \u00e0 l\u2019\u00e9cole des beaux-arts de Nancy (France) et \u00e0 l\u2019IESA o\u00f9 elle d\u00e9croche un master en Histoire de l\u2019Art. Elle effectuera deux stages en restauration l\u2019un au Mus\u00e9e des Arts D\u00e9coratifs et l\u2019autre \u00e0 l\u2019Institut National du Patrimoine. Elle effectuera \u00e9galement une troisi\u00e8me et quatri\u00e8me ann\u00e9e en restauration-conservation au Louvre. Elle effectuera enfin deux ann\u00e9es d\u2019apprentissage \u00e0 l\u2019Atelier Deglise qu\u2019elle reprendra en 2011. En 2021 elle est agr\u00e9\u00e9e pour la restauration de peintures class\u00e9es.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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ADRESSE<\/span><\/strong><\/p>\n

15, Place du Commerce
75 015 PARIS
Tel : 06 81 79 56 55
E-mail : <\/span>murielschwach@orange.fr<\/a>
Site web : www.atelierschwach-deglise.fr<\/a><\/span><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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CLIENTELE<\/strong><\/p>

Particuliers, marchands, galeries, antiquaires, \u00e9glises, congr\u00e9gations religieuses (S\u0153urs franciscaines, Petites s\u0153urs de l\u2019assomption), mairies, pr\u00e9fectures, etc.<\/p>

QUELQUES PEINTURES RESTAUREES<\/strong><\/p>

Magritte, Monet, A\u00efvazosky, Max Leenardt, Guardi, Valtat, Marquet, Guillaumin, Lesage, Brueghel, Manet, Corot,\u00a0Rosa bonheur, Boilly, Bertin.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Pour tout renseignement ou rendez-vous, contacter M. Philippe RANC, en charge du patrimoine dioc\u00e9sain\u00a0<\/p>

T\u00e9l : +212 6 28 31 85 35\u00a0<\/p>

Email : cdm@dioceserabat.org<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Pour tout renseignement ou rendez-vous, contacter
\nM. Philippe RANC, en charge du patrimoine dioc\u00e9sain
\nT\u00e9l : +212 6 28 31 85 35 – Email : cdm@dioceserabat.org<\/p>\n","protected":false},"author":1,"featured_media":6505,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[126],"tags":[],"class_list":["post-6245","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-patrimoine"],"yoast_head":"\nAppel \u00e0 souscription, dons et m\u00e9c\u00e9nat pour la restauration d\u2019\u0153uvres d\u2019art - Archidioc\u00e8se de Rabat<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dioceserabat.org\/accueil-2\/restauration-doeuvres-dart-par-appel-a-souscription-dons-et-mecenat\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Appel \u00e0 souscription, dons et m\u00e9c\u00e9nat pour la restauration d\u2019\u0153uvres d\u2019art - Archidioc\u00e8se de Rabat\" \/>\n<meta property=\"og:description\" content=\"Pour tout renseignement ou rendez-vous, contacter M. 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